CTRL.ALT.THE BEAT
Saturday, 7 July 2012
Hands Make Fire they really do!
Tuesday, 3 July 2012
Best of the Week - Plan B - Back to his true best!
Friday, 10 December 2010
Spice up your life...
Wednesday, 22 September 2010
Tuesday, 31 August 2010
The Hurts - Spotify Trail!

Well overdue I know, but just a quick note to highlight The Hurts advertising for their highly anticipated and hyped album 'Happiness'. You are the consumer, you are the character in their online story. A mysterious story where you choose the ending. A final fantasy book online? After each sound bite you are given your options of two codes which you then have to search Spotify for. You choose your destiny.
Friday, 22 January 2010
The year is 2010

Wednesday, 13 January 2010
Post Decade Analysis - Part II


The final words of the last post leads me swimmingly into part 2! Just to recap The Twang remind me very much of the way Pete/Peter Doherty writes his material and words. So to the whole Peter Doherty saga. What an outstanding wordsmith this man is even if he is totally unhinged, full of illegals and rubbished by the world media. The immense work that the junkie produces is utterly unbelievable. Being part, and some might say the biggest part, of two of the most successful bands of the noughties is no mean feat! The Libertines surpassed any predetermined goals that anyone could have set them. A true inspiration to many a fresh faced band that may need a focal point. Then to the Babyshambles who evolved from the unfortunate split of The Libertines. Pete really knows how to adapt things and pull all the chips to his side of the table. The boy continues to learn and then teach everyone else about everything and anything especially the limits of modern day poetry. I strongly believe that we are witnessing one of the best musicians to come to the front of the queue since Lennon. I will leave my comparison there for now.
I have definitely missed some bands and will probably re-write this ten times over the coming months although I would like to clarify some of the obvious ones that I have missed. I have purposely missed the likes of Yeah Yeah Yeahs, Bloc Party and Muse because,unfortunately, they don’t float my boat at the present moment but I was late to the party with Maximo Park and I love these boys now, so never say never.
Then to a band that seem to have made there own rules since emerging and this band be The XX. The album has an experimental feel to it with some tap along beats and singalongability. They draw me to making comparisons such as early Leftfield anthems, Aphex Twin moody deepth and the calmness of Morcheeba. Serious music and a grand album. Get hold of this I promise you will love it.
I have also not let you in on all the new stuff that has come to my ears recently but if I did that where would I be and more importantly where would this blog be!
Unread.
Simples.
Saturday, 2 January 2010
Post decade analysis - Part I

Now, my mind isn't what it was when I entered the noughties that is for sure. This is obviously due to the sheer amount of amazing beats and soothing samples I have been blessed with over the last ten years but I will try my best to remind myself of the pearls that were uncovered. THE BIGGEST find of the decade has to be The Strokes who I am pleased to inform you, if you haven't been slammed in the face with this info, will be reforming this year to headline all the latest and greatest festivals that will get the Topshop birds and Burton lads raving, bopping and jiving to for definite.
I think I may well have to whittle this post down as I go along because the more I think about the last ten years the more my small mind fills with bands, gigs and festivals that I have been lucky enough to attend. So shooting from the hip for the second smashing ensemble has to be Kasabian. Oh my goodness what an amazing collection of eclectic, hard hitting, emotionally charged bangers. This year’s album - West Ryder Pauper Lunatic Asylum - is by far and away my favourite album since N*sync - Celebrity, I jest, since Oasis - Definitely Maybe, David Gray - White Ladder or Blur - Parklife. I don't seem to get bored even on the 5th play back. Vlad the impaler, which is about to drop as their next single, is like the best cut crystal that your mumma only busts out for Christmas. A true master piece that has it all. If you haven't bought, stolen or spotified this album you are missing the last piece of the jigsaw puzzle on an amazing decade of music.
Then I must commend the Arctic Monkeys on their stupendous rise to stardom and indie domination. What an entrance from a newbie band bustling onto the scene with great aplomb. Too many lines and riffs to scream about here but "which came first the chicken or the d*ckhead" is definitely up there! Other acts to slam their stamps and marks on the last year include Twisted Wheel - the Manchester three piece who have laid down some stormy stone rose oasis esque tracks on their debut album - self titled. Cracking live and well worth your investment.
Onwards, The Maccabees brought their second album, The Wall of Arms, to the table after a hugely successful debut with Colour it In. The boys really are maturing into what we/I had hoped. The latest album is a moody, dark but highly charged affair that really connects. From the first album the winning line has to be ... I'll win your heart with the wit woo. Won my heart there and then.
As I continue to fall down the list of what has hit me over the last ten years I am finding myself reflecting on where I was when I first listened to the likes of Elliot Gleave, aka Example, The Streets, Kate Nash, Queen of The Stone Age (I remember this one, I was one of those little upstarts at Reading Festival 2000), Lily Allen, Pull Tiger Tail (RIP), Dartz! (RIP), Officer Kicks, Cajun Dance Party, Jack Penate, Loose Caboose, Pete and the Pirates, The Kooks and on and on. Most take me back to the early MySpace days, cramming myself into my father’s dressing room among the ironed shirts, Corby trouser press, the lead window with its one pane missing and the constant supply of brewed home tea. Good bloody times. I digress and as I do Roots Manuva comes smashing into my mind, one of my all time favourite albums and one that I found under my Christmas tree one year in the form of Run Come Save Me. Truly magnifique! An absolute banger which has really made me appreciate UK Rap/Hip Hop and Dub for the first time.
The Gorillaz and Damon Albarn must gain a mention because where would we be without the master that is Mr Albarn. Kids this is one person to learn the art of revival, reincarnation and reinvention. Without him we wouldn’t have enjoyed the Blur era, Blur revival and the Blur blur. Nor would we have been blessed with The Gorillaz or The Good, the Bad and the Queen. Albarn, simply put, living legend.
For me, the noughties was about finding my musical feet and finding genres that made me think deeply about my life and escapism from the daily grind. I have particularly enjoyed annoying the world with my tinny headphones on many a commute to the big smoke.
I have loved being at gigs with each and every one of my friends that shares my passion for these arrangement of bass, breaks and beats. All the genres I have floated through from the sublime to the ridiculous. As the millennium dropped, the UK Garage seen was huge and hearing the old skool bangers still gets me up and bouncing. I went through the early zeros thinking that I was part of the So Solid Crew and being Oxide & Neutrino – it was a messy matter for a while with me spinning round in my rat and bass powered motor that was the Seat Ibiza and ending most sentences with blud. Enough. And now I am a far calmer individual who is more likely to be found listening to Indie Folk melodies than hard hitting samples and huge basslines.
Away from London and my naff car, Frightened Rabbit it has to be said are one of my best finds. Some big sets played over the last two years and an intimate tour in the latter part of 2009 to give some love back to the loyal fans was exceptionally well received. I seem to have turned into a big lover of the motherlands music over the past 12 months. We Were Promised Jetpacks are another band that have grabbed my attention. Big things to come from both I feel. Anyone of you who like Maximo Park, Feeder, Ocean Colour Scene will enjoy both of these.
Then come back to my homeland and Jamie T has made me appreciate and feel a new and true love for panic attack kids and modern day troubadours. The Wimbledon boy will hopefully continue to produce these beats for a few more years as long as his mind stays in one piece.
I am not going to detail all of the bands that I know I need and should do but one that I really should, although reviews on her are rife, is Florence + the Machine who I saw at Secret Garden Party in 2007. She truly deserves all the praise that she has received. One amazing voice! Others I feel I would like to mention include the vastly experienced Elbow who have managed to gain the press they deserved eventually. Their early albums, Asleep in the Back & Leaders of the Free World really show how good an outfit they are. Cheap as chips now so get this into your download wishlist and fill your mind with some eclectic beats and chill out toons.
Oasis, again, where would we be without the best band to walk the planet since the Beatles. 12th July at Wembley, on the barrier with the boys, simply the best day of my life. An absolute pleasure to have seen them so many times and lucky to have seen them in 2009 just before the big bang split.
The Twang should also be shouted about as they lie low in the music scene. They have produced two unstoppable and well written albums. If you ever want a slice of real life and/or need waking up to what is really going on around you when you are out getting leathered or high as a kite then you need these guys in your ears.
Tuesday, 22 December 2009
"Moshing Woodman"
Friday, 27 November 2009
A wounded but not dead William Fitzsimmons

So, what is it with ctrl.alt.the beat and wet gigs at the moment in London in November. Unreal.
Up I rock to a very solemn and seamlessly wounded Bush Hall - www.bushhallmusic.co.uk - to witness what was self diagnosed by William Fitzsimmons - www.myspace.com/williamfitzsimmons - as "Divorce Rock". What a story this boy has already lived and he has all the warts to boot along with the mother of all beards!

As I burst through the hospital style swing doors I am instantly silenced by the set up of strewn people seated at burlesque esque tables and arranged bodies on the musty carpet of the ageing but elegant town hall. The sticky floor was more than bearable for the angelic voice gracing my hearing aids by the amazingly talented Laura Jansen - www.myspace.com/laurajansenmusic - what a little beauty and what a cover to walk in on. Kings of Leon's - Use Somebody, a special rendition from a magical voice and surely a rising talent. Note this one down and believe.
A story of sorrow, hardships and general bumpiness. A story that can be likened to that of a certain Elvis Perkins - www.myspace.com/elvisperkins - who too, has had it as tough with the unruly and unjust loss of his mother in the Twin Tower attacks and his father to illness 9 years previously. Although William Fitzsimmons (WFS) has not lost his parents he has dealt with bitter family splits and ill fated relationships of his own. Being raised by musically talented blind parents WFS has certainly the depth and understanding of someone that has an immense knowledge of feeling and emotion. Obviously rocked to his soul by some tough times and life changing challenges, WFS bundles out onto the mellow Bush Hall stage and careers straight into his set with much aplomb and thought, stopping only to talk of dark times, homelessness and life's depressing situations. Quoting " Tonight, you have come to listen to some depressing songs." He definitely wasn't wrong there!

The mood within the seated Bush Hall congregation was of incredible admiration and love for the self confessed former nomad, even the table candles couldn't hide away from these tales and dark wit. Bush Hall certainly still has the X factor when it comes to intimate gig venues. Definitely among my favourite and well worth a central line voyage.
Other than the previously mentioned Elvis, this music is the most thought provoking, meaningful and absorbing melodies my ears have ever been given. It was as if he was delivering a sermon where he speaks of wanting to binge on class A's, but then in the very next breath being dead against drugs before spiralling off on a tangent about beards, facial hair and more divorce.
These musical creations are not for the mentally unstable, slightly wonky minded, sad or mildly depressed. This really takes reflective music to another level potentially a new dimension. Truth.

Rate this post in the boxes below. Will it be a 'Top Banana' or a Barrymore 'Hotspot'
Saturday, 14 November 2009
You are about to be Songkicked into submission!

Monday, 9 November 2009
Fantastic Mr Rabbit
I don't know why... perhaps I'll die, springs to mind when I try to rationalise and understand the reasons as to why it has taken me, until possibly the wettest night in early November, in London, to finally pull my big bones to see the frightfully good - Frightened Rabbit. www.myspace.com/frightenedrabbit
The location, excitingly one of the blue properties on the Monopoly board, "Pentonville Road", in a pub called The Lexington - www.thelexington.co.uk was an apt venue for such a night and held a lot of dry people which didn't bode well with my newly found washed out look. However, not even the treacherous rain could dampen the spirits for this gig, even if I did smell like wet dog in my soaked through cool kid wannabe Duffel coat.
Well, this has to be the best £11 I have spent in a long time, I thought to myself as I waited in anticipation for the scared animals to arrive. Support was in the form of a band called Galchen www.myspace.com/galchen, also from the Kingdom of Scotland. An interesting band with no vocals. This could definitely be described as an experimental song with the focal point being placed on the drummer, who did not disappoint with some special riffs and excellent stand out solos. Three guys who indeed know their sounds and how, more importantly, to complement each other.
The feeling of jubilation bubbled from within as the boys from the motherland burst into bloom in album order, prevailed with an excited little man in the audience who had more of a techno rave wiggle than an alternative folk/rock tap of the foot, occasional whoop and nod of the head.
The lyrical genius lines such as 'This is how the modern stay scared' and 'You're the shit and I'm knee deep in it' and on and on and Ariston. The jovial Scots kept the humour well topped up and the lead, Scott Hutchison, getting overly excited about the introduction of the newest rabbit - Gordon Skene (formerly of Make Model)- say hello Gord - who it has to be said is more of a percussion addition and quirk factor than anything else.
Do they need more? Or is less better? The feeling of a slightly swelled mammal brings fear when it comes to new material. Verdict is still very much out but Gordon definitely added value with a gig first for me with the introduction of playing the electric guitar with a fiddle! Eclectic and majestic all at the same time. http://www.nme.com/news/frightened-rabbit/48113
As the evening rolled the preciseness of the music became stronger, louder and more emotional. The brothers at the heart of Frightened Rabbit began to feel every beat running through their bodies with obvious displays. First off Scott moving his body like the music and beat were his pulse. Every strum and pick of the guitar and big beat of the drum moving the man ever so slight in a way that look oh so controlling. His brother and drummer, Grant, looking menacing and devilish after soloing before the encore. Hitting the kit with more and more vigour, before finally erupting into a spitting shouting King Kong like figure, as the beats took hold. An angry Cadbury's gorilla is the only way to describe the big man.
The lack of new songs was refreshing, as FR realised that they were playing to the dedicated follower who wanted to rock and whoop away to their favourites. 'Swim Until You Can’t See Land', from the upcoming Spring 2010 album 'The Winter of Mixed Drinks' the new single, was one of two exceptions which was utterly delightful, with a up-beat feel compared to the break-up inspired dits that had previously showcased and delivered FR from obscurity.
What a band, what a night, what a venue. I hope, beyond hope, that the new happier songs and imminent album keep this rabbits foot thumping and the burrow of fans expanding.
Boys, hats and smelly Duffel coats off to you. You should feel triumphant.

http://www.play.com/Music/CD/4-/3432381/Sing-The-Greys/Product.html
http://www.play.com/Music/CD/4-/4992644/The-Midnight-Organ-Fight/Product.html
